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Columbia Encyclopedia entry: futurism
Futurism, Italian school of painting, sculpture, and literature that flourished from 1909, when Filippo Tommaso Marinetti's first manifesto of futurism appeared, until the end of World War I. Carlo Carrà, Gino Severini, and Giacomo Balla were the leading painters and Umberto Boccioni the chief sculptor of the group. The architect Antonio Sant' Elia also belonged to this school. The futurists strove to portray the dynamic character of 20th-century life; their works glorified danger, war, and the machine age, attacked academies, museums, and other establishment bastions, and, in theory at least, favored the growth of fascism. The group had a major Paris exhibition in 1912 that showed the relationship of their work to cubism. Their approach to the rendering of movement by simultaneously representing several aspects of forms in motion influenced many painters, including Duchamp and Delaunay. Futurist principles and techniques strongly influenced Russian constructivism.

See studies by M. W. Martin (1968), J. Rye (1972), U. Apollino (1973), C. Tisdale and A. Bozollo (1985), and M. Perloff (1989).

Wikipedia search results for: Futurism
From Wikipedia, the free encyclopedia
Futurism was an artistic and social movement that originated in Italy in the early 20th century. It was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy. The founder of Futurism and its most influential personality was the Italian writer Filippo Tommaso Marinetti. Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February...more »
Columbia Encyclopedia search results: futurism
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