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Columbia Encyclopedia entry: color
Color, effect produced on the eye and its associated nerves by light waves of different wavelength or frequency. Light transmitted from an object to the eye stimulates the different color cones of the retina, thus making possible perception of various colors in the object.

See also light; painting; protective coloration; vision.

The Visible Spectrum

Since the colors that compose sunlight or white light have different wavelengths, the speed at which they travel through a medium such as glass differs; red light, having the longest wavelength, travels more rapidly through glass than blue light, which has a shorter wavelength. Therefore, when white light passes through a glass prism, it is separated into a band of colors called a spectrum. The colors of the visible spectrum, called the elementary colors, are red, orange, yellow, green, blue, indigo, and violet (in that order).

Apparent Color of Objects

Color is a property of light that depends on wavelength. When light falls on an object, some of it is absorbed and some is reflected. The apparent color of an opaque object depends on the wavelength of the light that it reflects; e.g., a red object observed in daylight appears red because it reflects only the waves producing red light. The color of a transparent object is determined by the wavelength of the light transmitted by it. An opaque object that reflects all wavelengths appears white; one that absorbs all wavelengths appears black. Black and white are not generally considered true colors; black is said to result from the absence of color, and white from the presence of all colors mixed together.

Additive Colors

Colors whose beams of light in various combinations can produce any of the color sensations are called primary, or spectral, colors. The process of combining these colors is said to be additive; i.e., the sensations produced by different wavelengths of light are added together. The additive primaries are red, green, and blue-violet. White can be produced by combining all three primary colors. Any two colors whose light together produces white are called complementary colors, e.g., yellow and blue-violet, or red and blue-green.

Subtractive Colors

When pigments are mixed, the resulting sensations differ from those of the transmitted primary colors. The process in this case is subtractive, since the pigments subtract or absorb some of the wavelengths of light. Magenta (red-violet), yellow, and cyan (blue-green) are called subtractive primaries, or primary pigments. A mixture of blue and yellow pigments yields green, the only color not absorbed by one pigment or the other. A mixture of the three primary pigments produces black.

Properties of Colors

The scientific description of color, or colorimetry, involves the specification of all relevant properties of a color either subjectively or objectively. The subjective description gives the hue, saturation, and lightness or brightness of a color. Hue refers to what is commonly called color, i.e., red, green, blue-green, orange, etc. Saturation refers to the richness of a hue as compared to a gray of the same brightness; in some color notation systems, saturation is also known as chroma. The brightness of a light source or the lightness of an opaque object is measured on a scale ranging from dim to bright for a source or from black to white for an opaque object (or from black to colorless for a transparent object). In some systems, brightness is called value. A subjective color notation system provides comparison samples of colors rated according to these three properties. In an objective system for color description, the corresponding properties are dominant wavelength, purity, and luminance. Much of the research in objective color description has been carried out in cooperation with the Commission Internationale de l'Eclairage (CIE), which has set standards for such measurements. In addition to the description of color according to these physical and psychological standards, a number of color-related physiological and psychological phenomena have been studied. These include color constancy under varying viewing conditions, color contrast, afterimages, and advancing and retreating colors.

Symbolic Uses of Color

Color has long been used to represent affiliations and loyalties (e.g., school or regimental colors) and as a symbol of various moods (e.g., red with rage) and qualities (e.g., worthy of a blue ribbon). A well-known use of the symbolism of color is in the liturgical colors of the Western Church, according to which the color of the vestments varies through the ecclesiastical calendar; e.g., purple (i.e., violet) is the color of Advent and Lent; white, of Easter; and red, of the feasts of the martyrs.

Bibliography

See G. Wyszecki and W. S. Stiles, Color Science (1967); M. W. Levine and J. M. Shefner, Fundamentals of Sensation and Perception (1991).

Wikipedia search results for: Color
From Wikipedia, the free encyclopedia
Color or colour is the visual perceptual property corresponding in humans to the categories called red, yellow, blue and others. Color derives from the spectrum of light interacting in the eye with the spectral sensitivities of the light receptors. Color categories and physical specifications of color are also associated with objects, materials, light sources, etc., based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying sensitivity of different...more »
Columbia Encyclopedia search results: color
Results 1 - 10  of 1,489
  • protective coloration

    Protective coloration, coloration or color pattern of an animal that affords it protection from observation either by its predators or by its prey. The most widespread form of protective color...

  • color blindness

    Color blindness, visual defect resulting in the inability to distinguish colors. About 8% of men and 0.5% of women experience some difficulty in color perception. Color blindness is usually an...

  • color index

    Color index, in astronomy, difference in an object's brightness as recorded between any two well-defined bands of the electromagnetic spectrum by using optical filters of different colors. If ...

  • colorization, motion picture

    Colorization, motion picture, electronic process that uses computers to add color to black-and-white movies, creating new colored videotape versions. Invented by Canadians Wilson Markle and Br...

  • National Association for the Advancement of Colored People

    National Association for the Advancement of Colored People (NAACP), organization composed mainly of American blacks, but with many white members, whose goal is the end of racial discrimination...

  • Chéret, Jules

    Chéret, Jules, 1836–1932, French painter and draftsman, originator of the modern poster. His colorful, sophisticated designs for the theater and opera influenced Toulouse-Lautrec. Chéret intro...

  • stained glass

    Stained glass, in general, windows made of colored glass. To a large extent, the name is a misnomer, for staining is only one of the methods of coloring employed, and the best medieval glass m...

  • lake, in dyeing

    Lake, in dyeing, an insoluble pigment formed by the reaction between an organic dye and a mordant. The color of a lake depends upon the mordant as well as the dye used. Generally, lakes are no...

  • calico

    Calico, plain weave cotton fabric in one or more colors. Calico, named for Calicut, India, where the fabric originated, was mentioned by historians before the Christian era and praised by earl...

  • tinamou

    Tinamou, common name for a South American game bird related to the ostrich. It is protectively colored in browns and grays. The females are the aggressors in courtship, and the males incubate ...

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