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Parthenon
Columbia Encyclopedia entry: Parthenon
Parthenonpär'thənŏn [Gr.,=the virgin's place], temple sacred to Athena, on the acropolis at Athens. Built under Pericles between 447 B.C. and 432 B.C., it is the culminating masterpiece of Greek architecture. Ictinus and Callicrates were the architects and Phidias supervised the sculpture. The temple is peripteral, with eight Doric columns at each end and 17 on the flanks (46 in all); it stands upon a stylobate three steps high. The body of the building comprised a cella and behind it an inner chamber (the Parthenon proper), which gave the temple its name. At front and rear, within the outer colonnade, were two porticoes, the pronaos and opisthodomos, respectively, with six columns each.

Within the cella a Doric colonnade two tiers high supported the roof timbers and divided the space into a lofty central nave bounded by an aisle on three sides. Toward the west end of this nave stood the Athena Parthenos, the colossal gold and ivory statue by Phidias dedicated c.438 and destroyed in antiquity. The inner chamber, to the west, apparently served as treasury and was entered through a large western doorway. The pediments terminating the roof at each end of the building were ornamented with sculptured groups depicting the birth of Athena on the eastern end and the contest between Athena and Poseidon on the western end. The upper part of the cella walls and the friezes above the porticoes formed a continuous band of sculpture around the building, representing the Panathenaic procession held every fourth year in homage to the goddess. Of the 525 ft (160 m) of this sculptured frieze, 335 ft (102 m) still exists. The western portion is now in the Acropolis Museum; the greater part of the remainder, removed by Lord Elgin, is in the British Museum (see Elgin Marbles). Fragments also are in museums in six other countries.

In the 6th cent. the Parthenon became a Christian church, with the addition of an apse at the east end. It next served as a mosque, and a minaret was added to it. In 1687, in the Venetian attack on Athens, it was used as a powder magazine by the Turks and the entire center portion was destroyed by an explosion. The beauty of the Parthenon began to be appreciated in the 18th cent., and in 1762 measured drawings by James Stuart and Nicholas Revett gave strong impetus to the classic revival. After the end of Turkish control (1830), intensive archaeological study of the Parthenon commenced. Numerous attempts have since been made to establish the mathematical or geometrical basis supposedly employed in producing the design's high perfection. Restoration work is still being done.

See studies by P. E. Corbett (1959), R. Carpenter (1970), and M. Beard (2003).

Wikipedia search results for: Parthenon
From Wikipedia, the free encyclopedia
The Parthenon is a temple of the Greek goddess Athena whom the people of Athens considered their protector. Its construction began in 447BC and completed in 432BC on the Athenian Acropolis, although decorations of the Parthenon continued until 431BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered one of the high points of Greek art. The Parthenon is regarded as an enduring symbol of ancient Greece and of Athenian democracy, and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently...more »
Columbia Encyclopedia search results: Parthenon
Results 1 - 10  of 23
  • Callicrates

    Callicrates, 5th cent. B.C., Greek architect. In association with Ictinus he built (447–432 B.C.) the Parthenon at Athens. At Athens also he designed (c.427) the Temple of Nike.

  • chryselephantine

    Chryselephantine, Greek sculptural technique developed in the 6th cent. B.C. Sculptures, especially temple colossi, were made with an inner core of wood overlaid with ivory, to simulate flesh,...

  • Ictinus

    Ictinus, fl. 2d half of 5th cent. B.C., one of the greatest architects of Greece. His celebrated work is the Parthenon (447–432 B.C.) upon the acropolis at Athens, which he built with the arch...

  • Elgin Marbles

    Elgin Marbles, ancient sculptures taken from Athens to England in 1806 by Thomas Bruce, 7th earl of Elgin; other fragments exist in several European museums. Consisting of much of the survivin...

  • centaur

    Centaur, in Greek mythology, creature, half man and half horse. The centaurs were fathered by Ixion or by Centaurus, who was Ixion's son. Followers of Dionysus, they were uncouth and savage, b...

  • entasis

    Entasis [Gr.,=stretching], the slight convex curvature of a classical column that diminishes in diameter as it rises. This device, as used by Greek builders, was of extreme subtlety, the freeh...

  • Flagg, Ernest

    Flagg, Ernest, 1857–1947, American architect, b. Brooklyn, N.Y., studied at the École des Beaux-Arts, Paris. The 45-story Singer Building in New York City, which he built in 1908, marked a rev...

  • Gifford, Sanford R.

    Gifford, Sanford R., 1823–80, American painter, b. Greenfield, N.Y. A major painter of the American movement known as luminism, Gifford, who was influenced by Thomas Cole early in his career, ...

  • Phidias

    Phidias or Pheidias, c.500–c.432 B.C., Greek sculptor, one of the greatest sculptors of ancient Greece. No original in existence can be attributed to him with certainty, although numerous Roma...

  • acropolis

    Acropolis [Gr.,=high point of the city], elevated, fortified section of various ancient Greek cities.The Acropolis of Athens, a hill c.260 ft (80 m) high, with a flat oval top c.500 ft (150 m)...

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