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Columbia Encyclopedia entry: Masaccio
Masacciomäzät'chō, 1401–1428?, Italian painter. He is the foremost Italian painter of the Florentine Renaissance in the early 15th cent. Masaccio's original name was Tommaso Guidi. He was enrolled in the guild of St. Luke in 1424. Most of the creations of his brief lifetime have perished. Only four remain that are attributed to him without question: a polyptych (1426) painted for the Church of the Carmine, Pisa, many of its panels dispersed (now in London, Pisa, Naples, and Vienna) and some lost; the great Trinity fresco in Santa Maria Novella, Florence, which revolutionalized the understanding of perspective in painting; the Virgin with St. Anne (Uffizi), an early work in collaboration with the painter Masolino da Panicale; and his masterpiece—a major monument in the history of art—the frescoes in the Brancacci Chapel of Santa Maria del Carmine, Florence, begun by Masolino and completed many years later by Filippino Lippi. Leaving the chapel unfinished, Masaccio went to Rome, where he died. Masaccio's independent works in the chapel include Expulsion from Eden, Peter and John Healing the Sick, Peter and John Distributing Alms, Peter Baptizing, The Raising of the King's Son, and The Tribute Money. These frescoes had a great impact on Florentine painting and were for generations the training school and inspiration of painters, among them Michelangelo and Raphael. Masaccio imparted a new sense of grandeur and austerity to the human figure. He used light to give dimension to the contour and achieved a classic sense of proportion. At the same time he created a diversity of character within a unified group and emphasized the range of emotional expression in heroic individuals. Masaccio is remembered primarily for his innovative use of perspective. His originality and imagination place his work in the tradition of Giotto and Michelangelo.

See studies by L. Berti (1967) and B. Cole (1980).

Wikipedia search results for: Masaccio
From Wikipedia, the free encyclopedia
Masaccio, was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino. Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He...more »
Columbia Encyclopedia search results: Masaccio
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  • Uccello, Paolo

    Uccello, Paolo, c.1396–1475, Florentine painter. Uccello was little appreciated in his own time, and much of his work has been destroyed or is in poor condition. Although first apprenticed to ...

  • Lippi

    Lippi, name of two celebrated Italian painters of the 15th cent., Fra Filippo Lippi and his son, Filippino Lippi. Fra Filippo Lippi, c.1406–1469, called Lippo Lippi, was one of the foremost Fl...

  • Ghirlandaio, Domenico

    Ghirlandaio or Ghirlandajo, Domenico, 1449–94, Florentine painter, whose family name was Bigordi. He may have studied painting and mosaics under Alesso Baldovinetti. Ghirlandaio was an excelle...

  • Masolino da Panicale

    Masolino da Panicale, 1383–c.1447, Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative c...

  • Angelico, Fra

    Angelico, Fra, c.1400–1455, Florentine painter, b. Vicchio, Tuscany. He was variously named Guido (his baptismal name), or Guidolino, di Pietro; and Giovanni da Fiesole. After his death he was...

  • perspective

    Perspective, in art, any method employed to represent three-dimensional space on a flat surface or in relief sculpture. Although many periods in art showed some progressive diminution of objec...

  • Florence, city, Italy

    Florence, Ital. Firenze, city (1991 pop. 403,294), capital of Tuscany and of Firenze prov., central Italy, on the Arno River, at the foot of the Apennines. Florence, the jewel of the Italian R...

  • Raphael Santi

    Raphael Santi or Raphael Sanzio, Ital. Raffaello Santi or Raffaello Sanzio, 1483–1520, major Italian Renaissance painter, b. Urbino. In Raphael's work is the clearest expression of the exquisi...

  • Renaissance art and architecture

    Renaissance art and architecture, works of art and structures produced in Europe during the Renaissance. A radical break with medieval methods of representing the visible world occurred in It...

  • Italian art

    Italian art, works of art produced in the geographic region that now constitutes the nation of Italy. Italian art has engendered great public interest and involvement, resulting in the consist...

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