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Columbia Encyclopedia entry: Giorgione
Giorgionejōrjô'nā, c.1478–1510, Venetian painter, b. Castelfranco Veneto; fellow student of Titian under Giovanni Bellini in Venice. Giorgione was known also as Zorgo or Zorgi da Castelfranco and as Giorgio Barbarelli. Almost nothing is known of his life except that he worked in Venice, undertook various important commissions in oil and fresco, and died of the plague in his early 30s. Legend concedes him great personal charm. A major innovator, he is credited with having been the formative influence in the lives of Titian, Pordenone, Sebastiano del Piombo, and Jacopo Palma il Vecchio. Thus, in a sense, 16th-century Venetian painting stems from him. So absolute was his domination that it is impossible to separate with certainty his work from that of his imitators. His frescoes are practically obliterated. The list of his extant works in oil is computed variously at from 4 to 70. But if Giorgione himself is an unknown quantity, his style is not. It was new to Venetian painting both in technique and in spirit. Technically it introduced a greater fusion of all forms and a subordination of local color to the pervading tone, used to emphasize forms in space. This revolution was accomplished simultaneously by Leonardo, but whereas Leonardo tended to suppress color in his opaque shadows, the colors of Giorgione were luminous and warm. The Giorgionesque style was liberating. The ostensible subject no longer limited the artist but became a pretext for self-expression. The specific works associated with Giorgione have the poetic quality of a bucolic dreamworld never recaptured by his famous followers. Among the best authenticated are Madonna with SS. Francis and Liberale (cathedral, Castelfranco Veneto); The Three Philosophers (Vienna); and the puzzling seminude woman with child set in a stormy landscape known as the Tempesta (Academy, Venice). Also celebrated, if more dubious are Concert Champêtre (Louvre); Laura (Vienna); Judith (St. Petersburg); Adoration of the Shepherds (National Gall. of Art, Washington, D.C.); the Concert (Pitti Palace); and Judgment of Solomon and Trial of Moses (Uffizi). His pastoral Sleeping Venus (Gemäldegalerie, Dresden) was finished by Titian.

See complete ed. of his works by T. Pignatti (1971); studies by G. M. Richter (1937), L. Baldass (1965), and T. Pignatti (1971).

Wikipedia search results for: Giorgione
From Wikipedia, the free encyclopedia
Giorgione was an Italian painter of the High Renaissance in Venice. Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are acknowledged for certain to be his work. The resulting uncertainty about the identity and meaning of his art has made Giorgione one of the most mysterious figures in European painting. The little known of Giorgione's life is given in Giorgio Vasari's Vite. The painter came from the small town of Castelfranco Veneto, 40km inland from Venice. His name sometimes appears as Zorzo. The variant Giorgione may be translated "Big George". How early in boyhood he went...more »
Columbia Encyclopedia search results: Giorgione
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  • Campagnola, Giulio

    Campagnola, Giulio, b. c.1482, d. after 1513, Italian painter and engraver. He painted miniatures and altarpieces but is best known for his finely executed engravings, many of them after the w...

  • Dosso Dossi

    Dosso Dossi, 1479?–1542, Italian painter of the Ferrarese school, whose real name was Giovanni di Niccolò de Luteri. He may have been a pupil of Lorenzo Costa, but was certainly influenced by ...

  • Sebastiano del Piombo

    Sebastiano del Piombo, c.1485–1547, Italian painter of the Venetian school, whose real name was Sebastiano Luciani. Although he was trained by Giovanni Bellini, his early work was influenced b...

  • Palma, Jacopo

    Palma, Jacopo, c.1480–1528, Venetian painter, called Palma Vecchio. He formed his style under the influence of Giovanni Bellini, Titian, and Giorgione and ranks as one of the foremost masters ...

  • Bottomley, Gordon

    Bottomley, Gordon, 1874–1948, English poet and dramatist, b. Yorkshire. His major artistic efforts were directed at reviving verse drama in English. Among his plays are The Crier by Night (190...

  • Catena, Vincenzo di Biagio

    Catena, Vincenzo di Biagio, c.1470–1531, Venetian painter. His early work, reflecting the influence of Giovanni Bellini, includes the two paintings of Madonna and Child with Saints in the Walt...

  • Conway of Allington, William Martin Conway, 1st Baron

    Conway of Allington, William Martin Conway, 1st Baron, 1856–1937, English explorer, art historian, and writer. Conway filled several university positions and in 1918–31 represented the combine...

  • Titian

    Titian, c.1490–1576, Venetian painter, whose name was Tiziano Vecellio, b. Pieve di Cadore in the Dolomites. Of the very first rank among the artists of the Renaissance, Titian had an immense ...

  • Bellini

    Bellini, illustrious family of Venetian painters of the Renaissance. Jacopo Bellini, c.1400–1470, was a pupil of Gentile da Fabriano. He worked in Padua, Verona, Ferrara, and Venice. Many of h...

  • landscape painting

    Landscape painting, portrayal of scenes found in the natural world; these scenes are treated as the subject of the work of art rather than as an element in another kind of painting. In the Wes...

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